Culture of culture

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A. Ya. Flier. Local cultural system: sustainability factors


In SEARCH of the MEANING of HISTORY and CULTURE (A. Ya. Flier’s Section)

V. M. Rozin. Conceptualization of G. R. Baltanova Muslim women and culture

N. A. Khrenov. On the history of the formation of the science of culture: Oswald Spengler (to the 100th anniversary of the book «the Decline of Europe»)

M. I. Kozyakova. Synesthesia in the postmodern era: aesthetics déjà'vu


HIGH ART IN a CULTURE of MODERNITY (E. N. Shapinskaya’sSectoin)

E. N. Shapinskaya. Bulgarian culture in Russia: traditions and modernity (interview with Maya Pramatarova)

E. N. Shapinskaya. Digital history: the future of our past


N. A. Khrenov. Culture and play: activation of the gaming instinct in the era of transition from the middle ages to Imperial Russia (end)

V. I. Grachev. Information-rhizomorphic basis of communicative paradigm of modern culture. Three

A. Ya. Flier.  Culture and the problem of the noosphere: it is not necessary to make a fairy tale come true


A. Ya. Flier. Theory of culture


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Shapinskaya Ekaterina Nikolaevna,
Doctor of Philosophy, Professor,
Russian State University of Physical Education,
Sport, Youth and Tourism.



Abstract. The article deals with the problems of representation of the historical past in digital culture, identifies the reasons for the "historical turn" in the era of high technologies and transformations that occur with historical images and narratives in the process of digitalization. Special attention is paid to the escapist possibilities of (pseudo)historical narrative, as well as to the playful nature of representations of the historical past in popular culture. It is concluded that it is important to preserve the historical past in various forms of culture today.

Keyword. Digital culture, history, myth, representation, escapism, fiction, past, game, postmodernism, simulacrum.

[1] Baudrillard J. Simulations and simulacra. Moscow: POSTUM, 2016. P. 166.
[2] Ibid. P. 164.
[3] Ibid.
[4] Epstein M. N. the Future of Humanities. Moscow: Pangloss, 2019. P. 204.
[5] Ibid.
[6] Connor S. Postmodernist Culture. Blackwell, 1997. P. 134.
[7] McHail B. Constructing Postmodernism. L.-NY: Routledge, 1992. P. 229.
[8] Tolkien. J. R. R. Fairy Tales of fairyland. Moscow: AST, 2010. P. 351.
[9] Ibid. P. 352.
[10] Ibid. P. 387.
[11] Shapinskaya E. N. Spaces of escapism and escape from everyday life: religion, love, art / / Culture of culture. 2017.  No. 3. URL: / spaces-for-escapism-and-running-away-from-everyday-life-religion-love-art/. Date of access 25.07.2019.  
[12] Ibid.
[13] Harvey D. The Condition of Postmodernity. Cambridge, USA: Blackwell, 1982. P. 54.
[14] Jameson, F. Postmodernism, or the Cultural logic of Late Capitalism. L.-NY: VERSO, 1995. P. 282.
[15] Jamieson F. Progress versus utopia, or Can we imagine the future? // Fantastic movie. Moscow: New literary review, 2006. P. 36.
[16] Jameson, F. Op. cit. P. 284.
[17] Davis, E. Technogenesis: myth, magic and mysticism in the information age. Ekaterinburg: Ultra. Culture, 2008. P. 13.
[18] Ibid. P. 17.
[19] Ibid. P. 22.
[20] Rozin V. M. Technique and technology: from stone tools to the Internet and robots. - Yoshkar-Ola: Volga state technological University, 2016. P. 125.
[21] Davis E. Edict. Op. P. 204.
[22] Poster M. The Second Media Age. Cambridge: Polity Press, 1998. P. 39.
[23] Davis E. Edict. Op. P. 278.
[24] N. Kleinman Don't Face Me In: Copyright, Property and Technology // Communication and Cyberspace. New Jersey: Hampton Press, 1996. P. 276.
[25] J. Tolkien. R. R. The Decree. Op. P. 348.
[26] D. Harvey, Op. cit. P. 12.
[27] Ibid. P. 85.
[28] Baudrillard J. Edict. Op. P. 17.
[29] Bauer S. U. History Of The Ancient World. M: AST, 2019. P. 118.
[30] S. Marche What Game of Thrones Stole from Norse Mythology. URL: date accessed 26.07.2019.
[31] Roget S. All Of The Real Historical Parallels To 'Game Of Thrones' El. resource Date of access 26.07.2019.
[32] in the Rostov Kremlin at the festival of medieval culture will perform "hamlet".: 23.07.2019. Date of access 25.07.2019.
[33] Marina Alexandrova spoke about the complex role of Catherine the great. URL: accessed 01.08.2019.
[34] Lapinska E. N. Cultural heritage in the (post)modern cityscape: transformation or destruction? // WPI. Sarath. UN-TA. New. ser. Ser. Philosophy. Psychology. Pedagogy. 2016. In 16 vol. Vol. 4. Pp. 422-430.
[35] Shapinskaya E. N. Images of the past in the culture of postmodernism: representation or pastiche? // Culture and art. 2012.  No. 3 (9).  
[36] Epstein M. N. Edict. Op. P. 201.
[37] Razlogov K. E. the Art of the screen: from cinema to the Internet. Moscow: ROSSPEN, 2010. P. 269.
[38] Ibid. P. 271.



ISSN 2311-3723

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Scientific Association of Culture Researchers

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